| Back Home Next | |||||||||
|
About the Artist |
|||||||||
![]() |
Biographical |
||||||||
|
Janet
Fountain (nee Semmens) was born in 1956 at Colac in She
studied science at The University
of Melbourne and then found employment in university administration. In
1984 she married Chris Fountain, a postgraduate metallurgist.
The Fountains moved to Mount
Isa
in 1987, where Janet worked on technical computer
programmes for the mining industry.
It
was in
Mount Isa she attended the Flying Arts School (three weekend workshops per
year) and met dedicated artists. (The difficult life
accepted by artists gave her pause
for thought.) In
2002 they moved to
Subsequent
changes in the fortunes of mining companies, saw the Fountains move
interstate and overseas. In 2009 the Fountains moved to Belo Horizonte in Brazil for 13 months because of Chris's work. There Janet painted mainly musicians from the free lunchtime concerts, until Janet's health failed. So the Fountains returned to Perth, Australia and she ceased making art for 10 years. Chris was posted to Salt Lake City in 2019. There, Janet picked up her ink pen and began to make drawings again. She started an art journal of their home during the Covid pandemic. From 2021 she drew, and painted, the Fox Squirrels that lived in the backyard. In
August 2025, the Fountains returned to Perth. Based in Subiaco, Janet
explores local settings and life around her for inspiration. Janet
has participated in seven solo exhibitions and one group exhibition in
Australia. She has work in the State of Queensland collection (landscape
panel paintings in acrylic on canvas) and in the National Gallery of Australia print
collection (lino prints). |
|||||||||
| Studies | |||||||||
|
2009 - 2010 |
Atelier Selma Weissmann | Belo Horizonte, Brazil | |||||||
|
2005 - 2009 |
Dance movement studies | Perth City Ballet (Director: Diana Waldron) | |||||||
|
2001 - 2006 |
Invitation Workshops |
New South Wales (Mentor: Mervyn Moriarty) |
|||||||
| 2004 | Flying Arts Living the Landscape |
outback Queensland (Tutor: Mandy Martin) |
|||||||
|
1998 - 2002 |
weekend workshops, 3 per year | Mount Isa (Flying Arts) | |||||||
|
1998 - 1999 |
CAE Summer School |
Melbourne (Tutor: Mervyn Moriarty) |
|||||||
|
1997 - 1998 |
Life Drawing |
Linden, St Kilda (Tutor: Anselm van Rood) |
|||||||
| 1992 - 1996 | McGregor Summer School |
Toowoomba (University of Southern Qld) |
|||||||
| 1991 -1996 | weekend workshops, 3 per year |
Mount Isa (Flying Arts) |
|||||||
| 1991 - 1996 | Figure Studies | Mount Isa Life Drawing Group | |||||||
|
(evolved into Stack, the contemporary art group active 1994-97) |
|||||||||
| Solo Exhibitions | |||||||||
| 15 Apr to 30 May 2026 | Wild Ducks in Public Places |
Gallery 48, 2/48 The Strand, Townsville, Australia |
|||||||
| May to Jun 2021 | Covid Drawings | Gallery 48, 2/48 The Strand, Townsville, Australia | |||||||
| Jul to Aug 2011 | Brazilian Experience | Artspace, Nedlands, Perth, Australia | |||||||
| Jan 2009 | Dancing in Paint | Kurb Gallery, Northbridge, Perth, Australia | |||||||
| 8 Mar to 15 May 2008 | Drawing on Thought | Gallery 48, 2/48 The Strand, Townsville, Australia | |||||||
| May to 20 Jun 2004 | Onions |
Cafe Gallery, Fremantle Arts Centre, Fremantle, Australia |
|||||||
| Mar 2001 | Arriving at Colour |
Mount Isa Potters’ Gallery, Mount Isa, Australia |
|||||||
| Apr 1999 | Copper
Smelter
Paintings,
Lino Prints and The Rest |
Mount Isa Potters’ Gallery, Mount Isa, Australia |
|||||||
| Duo Exhibition | |||||||||
| Feb 2000 | Artists in the Spinifex |
Mount Isa Potters’ Gallery, Mount Isa, Australia |
|||||||
| (Landscapes with fellow artist, Vince Bray) | |||||||||
| Group Exhibitions (touring) | |||||||||
| 2000 to 2001 | Cutting Comments – Contemporary Linocuts 1995-1998 | ||||||||
|
McClelland
Gallery, Langwarrin, Vic (July 2000) |
|||||||||
|
Gold
Treasury Museum, Melbourne (10 Oct - 1 Nov 2001) |
|||||||||
| 2001 | Thirty Years of Flying Arts | ||||||||
|
Mount Isa Civic Centre (26 April – 11 May) |
|||||||||
|
Brisbane
Powerhouse (26 Oct – 23 Nov) |
|||||||||
| 1997 | Mining
The Mind –
The psychology of climate control |
||||||||
|
Townsville,
Umbrella Studio (February 1997) |
|||||||||
|
Mount Isa Civic Centre ( March 1997) |
|||||||||
| Awards and Prizes | |||||||||
| Painting | |||||||||
![]() |
2026 |
Finalist,
Minnawarra Art Awards (Armadle, Perth) |
|||||||
| 2008 | Finalist,
Black Swan Prize for Portraiture (Perth) |
||||||||
| 2001 | Winner,
Easel based painting, Martin Hanson Memorial Art Awards
(Gladstone Regional Art Gallery and Museum, Qld) |
||||||||
| 2000 | Winner,
Tree of Knowledge - Australians at Work Award,
Barcaldine Art Competition & Exhibition (Qld) |
||||||||
| 1998 | Winner,
Shell
Art Award, Northern Region, Flying
Arts Exhibition (Cairns) |
||||||||
| 1992 | Winner, Open Contemporary, Mount Isa Rotary Art Show | ||||||||
| 1991 | Winner, Realist Landscape, Mount Isa Rotary Art Show | ||||||||
| Drawing | 1999 | Winner, Drawing, Ernest Henry Memorial Art Show
(Cloncurry) |
|||||||
| 1998 | Winner, Drawing, Ernest Henry Memorial Art Show
(Cloncurry) |
||||||||
| 1996 | Winner, Drawing, Mount Isa Rotary Art Show | ||||||||
| 1995 | Winner, Drawing, Mount Isa Rotary Art Show | ||||||||
| Prints | |||||||||
| 2002 | Finalist, Silk Cut Acquisitive Award for linocut prints (Melbourne) | ||||||||
| 1997 | Finalist, Silk Cut Acquisitive Award for linocut prints (Melbourne) |
||||||||
|
Sculpture |
|||||||||
| 1993 | First Prize, Sculpture, Mount Isa Rotary Art Show | ||||||||
|
Collections |
|||||||||
| National Gallery of Australia (print collection) | (2 linocut prints) | ||||||||
| State Government of Queensland | |||||||||
|
Mount Isa Courthouse (3-panel canvas landscape) |
|||||||||
|
Land
and Resources Tribunal, Brisbane (4 panel canvas landscape) |
|||||||||
| Private collections in Australia and overseas | |||||||||
|
References |
|||||||||
| Allied Industries Pty Ltd, An Australian Art Collection 2014, Calendar (featured artist for September) | |||||||||
| Duraloid Pty Ltd, 1979 Silk Cut Award for Linocut Prints, Catalogue, p. 11 | |||||||||
| Duraloid Pty Ltd, 2002 Silk Cut Award for Linocut Prints, Catalogue, p. 8 | |||||||||
| Flying Arts Inc., 1998 Annual Report, Cover Image (front and back) | |||||||||
| Fountain,
Janet
and Dutney, Mark, Working
In with
the Day Job, Flying
Arts Gazette,
Issue 80, September
1999,
pp. 12 -13 |
|||||||||
| Grabski, Siri, Isa captured for Brisbane complex, The North West Star, September 3, 1999, p. 3 | |||||||||
| Jenkins, Lesley, Australian Art Stories, Flying Arts Gazette, Issue 86, October, pp. 9-12 | |||||||||
| Jensen, Ivy, A fountain of colour, The North West Star, March 28, 2001, p. 5 | |||||||||
| McNeill, Sarah, Face to face with portraits, Subiaco Post, September 13, 2008, p. 47 | |||||||||
| McNeill, Sarah, Going solo in Brazil, Subiaco Post, July 16, 2011, p. 63 | |||||||||
| Nayton,
Jennie, Gamblen, Philip, Williams, Cecile, Fountain, Janet, and Sears,
Clim, Member News,
ArtSource
Newsletter,
|
|||||||||
| Issue December 2009 – March 2010, pp 29-30 | |||||||||
| O’Donohue, Anne, Mining the Mind, Periphery, Issue 31, May 1997 pp. 22-23 | |||||||||
| O'Donohue, Anne, Mining the Mind, Eyeline, Issue 33, autumn/winter 1997, pp. 43-44 | |||||||||
| O'Sullivan, Jill, The Essence of This Earth, Flying Arts Gazette, Issue 85, July 2001, pp. 10-13 | |||||||||
| Silver, Anneke, Stackarts, Erotica and The Outback, Periphery, Issue 27, May 1996 pp. 33-35 | |||||||||
| Taylor, Cheryl, Staking a claim: Eight Mt Isa novels, Published online by Cambridge University Press, 03 May 2013, pp. 96-109 | |||||||||
| Taylor, Cheryl, Staking a claim: Eight Mt Isa novels, Queensland Review, 20(1), June 2013, pp. 96-109 | |||||||||
| Where ducks become fine art, Weekend section, Townsville Bulletin, April 11, 2026, p..08 | |||||||||
| North-West
artist chosen to show in Cairns, The North
West Star, September 24, 1998,
p. 1 |
|||||||||
| An
array of colour,
The North
West Star, April 19, 1999,
p. 5 |
|||||||||
| Chance
for art promotion, The
North
West Star,
September 7, 2001,
p. 5 |
|||||||||
| Isans
represent Flying Arts,
The North
West Star, November 14, 2001,
p. 5 |
|||||||||